Crowd energy, song by song.
Know which songs lift the room, when phones go up to film, which sections fill first and when the crowd heads for the bar. Seats Edge reads the whole floor live and hands you a show report before load-out.
The show, measured the way you feel it from the soundboard.
Which songs hit?
Energy for every song on the setlist, from movement, sound and hands in the air.
What went viral?
Phones up filming, minute by minute: the moments your crowd chose to share.
When do they hit the bar?
Bar and merch trips by song, so you staff the rush and know which songs send people walking.
Is the floor safe?
Live floor density by zone, with alerts at the thresholds your team sets.
Every song, every section, every surge.
Live in the booth during the show, then a full report for the promoter, the artist team and your operations crew. Hover over any chart for the detail.
Sample data for illustration. The band and song names are fictional.
One show, read four ways.
Talent buyers and promoters
Proof of how a room responded, show after show. Compare openers, see which genres and nights bring the most engaged crowds and book the next season on more than ticket counts.
Artists and their teams
The setlist ranked by the room. Find the song that loses the crowd in the middle of the set, the deep cut that outperforms the single and the encore that sends people home buzzing.
Operations and safety
Fill by section, arrival curves against door times and live density on the floor. Open the balcony when the floor passes your threshold and see where the crowd presses forward.
Revenue and sponsorships
Bar and merch traffic by song, plus attention on the big screen when sponsor spots run. Show sponsors how many eyes were on their moment.
A concert profile that knows a good night.
At a lecture, a phone in the air is a distraction. At your show it is free marketing. Seats Edge uses a concert profile that scores the room the way your crowd behaves.
- Phones up filming count as a peak, and the minutes with the most phones become your clip list.
- Crowd energy works in the dark. It reads movement across the whole floor, with camera shake removed, so strobes and haze don't break it.
- Standing is the default. On a general admission floor everyone stands; seated sections are scored separately.
- Singing along is measured from the crowd, using a microphone that hears the room, not the stage mix.
Average crowd energy by nightout of 10
The numbers behind a great night.
Your crowd is a crowd, not a list of names.
Seats Edge never identifies a fan, stores a face or follows anyone from show to show. Video is processed on a computer in your building and is not recorded. Your reports contain numbers about the room, nothing about individual people.
What venues ask us first.
Does it work with stage lighting, haze and strobes?
Crowd energy, phones up and fill hold up well in the dark because they read the whole floor rather than individual faces. Person-by-person measures like raised hands work best in lit sections. The setup check shows what your room supports with your lighting.
How many cameras does a large room need?
A club or small theater usually needs one. Larger rooms add a camera per zone, and Seats Edge places everyone on your floor plan so a person seen by two cameras is counted once.
Can we share reports with artists and promoters?
Yes. Each show report can be shared as a link or a PDF, with only the numbers you choose to include.
Are density alerts a replacement for our safety plan?
No. They are an extra set of eyes on the floor for your team, with thresholds you set. Your crowd management plan and staff stay in charge.
What about theaters and seated shows?
Seated rooms use a theater profile with attention, laughter, applause and standing ovations, much like our comedy and conference dashboards.
Put your room on the dashboard.
Pilot venues get a report after every show and a direct line to the team building the product.